February 18, 2005
I will expose my bias up front. I think that "Million Dollar Baby" is the finest film released during 2004. I also believe it is one of the finest films ever made. It follows the same honest and spare line that Eastwood's previous masterpiece, Mystic River, created in protraying "life as it is" for some people. That it deals with the very controversial issue of assisted suicide and other dark issues and experiences has made it a target of disdain for the conservative right, "right to life" fundamentalists, with Rush Limbaugh and Michael Medved leading the charge. What is curious about their criticisms is that they seem to believe that Clint Eastwood is pushing assisted suicide and that everyone exposed to this "subliminal" message, in particular para and quadrapalegics, will opt to end their lives that way or harbor the false resentment that the movie disdains their condition. This is similar to the reaction to homosexuality by the conservatives who seem to imply that it is an infectious disease that the country will be disabled by.
But this is not just "moralizing". It reflects the line of the White House that reality is not the present or the ordinary, day-to-day human condition of suffering and success. Reality, as Bush sees it, is what we are all striving to create: a better, world-wide democracy and a return to basic American values, salted with the maxims of the self-help industry, of individuals of all economic classes taking "ownership" in this society.
The "Million Dollar (Baby) Moralizing" is also strangely reminiscent of not only the McCarthy era of fear and mutual suspicion but also that of the "Soviet" catechism. The Soviets believed that every aspect of society had to reflect communist beliefs and values. Every part of the artistic community, as well as every other community, was insepcted under the harsh light of the "culture police".
In all of these cases, the ideologies cited here failed to recognize and deal with the human condition as it is experienced by the entire social cross-section of society. Outside of the political prison ideologies create, there are daily questions of survival, ambition, success, and failure and how individuals cope with it, or don't or can't. The words "don't" or "can't" are political "no-nos" in the Bush conservative, fundamentalist belief system.
"Million Dollar Baby" is the most explicit demonstration of "American" values: striving, persistence, belief in eventual success, postive change of individuals' belief systems and behavior in response to the sun cast by another, and, most important, the experience of being bed-ridden for life - which neither Medved nor Limbaugh, to my knowledge, has ever experienced. Maggie's plea to Frankie Dunn to end her life is not a declaration of failure but one of success. She has experienced the most positive achievements and life changes, and she doesn't want all of that to disappear with a lifetime of dependency that she feels will only diminish those feelings of success.
I am not a supporter of assisted suicide as medical policy, only because without too much trouble it becomes eugenics: the killing of the weak and disabled to make way for a society of strong and able, surviving citizens. But I am a great supporter of individual choice over the quality of life. Strangely, the Limbaugh's, Medveds, and Pat Robertsons are against and fear the exercise of that basic American constitutionally guaranteed right. That makes them not only cultural dictators but also political ones.
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